The CENTRAL AUTHORITY is COMPLETE



“The Central Authority” Movie Wraps Production

The much-awaited new comedy, “The Central Authority,” has wrapped production. The film which satirizes the current world situation, is now complete, according to producers.

By: Matts Marketing 1 2 3

The Central Authority HOLLYWOOD, Calif. – Oct. 1, 2020 – PRLog —

Using the technology available, producers of the film, believe, “The Central Authority,” is the first full length completely socially distanced feature film.

Written by Dana Olita and Kristin West, the film takes place in a dystopian future where a pandemic has caused the world-wide collapse of governments. A Central Authority has risen to maintain law and order and control the supply chain of goods and services. Because most people are stuck at home, entertainment has become a premium commodity. The Central Authority has created a channel for citizens to create their own content.

The film depicts a normal day of programming. The shows range from parodies of talk shows, cooking, exercise, and reality shows, children’s programming and even a homemade music video complete with behind the scenes footage. Of course, there are fake news segments too. Interspersed throughout the day are reminders from the Central Authority, to “wash your hands,” “wear your masks,” and “keep a social distance.”   In exchange for creating this programming, citizens are compensated and given higher places in line for goods in short supply. Compensation is based on ratings of each show. However, if you fail to meet The Central Authority’s minimum guideline, The Central Authority cancels your show, and your life.

The Central Authority has been a brave undertaking in these hazardous times. “We knew this was a huge endeavor going in,” said West, who co-directed with Armin Nasseri. “We were forced to use the technology available, which meant doing some unusual things.” Those “unusual things” included dusting off some archaic film techniques and using brand new processes. “We gave ourselves permission to fail,” says West, “but things worked out fine in the end.”

Those processes including having actors from all over the world come together on the screen. Actress Anna Elena Pepe, who plays Dr Zhivaga, a government sexologist, says it was an experience for her like no other, “I was in London, and my scene partner (LaChelle Allen) was in Los Angeles. ‘It was fantastic.'”

“The actors were the key,” according to Olita, “We basically let them pick and choose characters and wrote around their choices.” West agrees, “We gave our actors a tremendous amount of freedom, there was a lot of improvisation. Everyone gave great performances and the chemistry the actors have with one and other is magical.”

In addition to West, Olita and Nasseri, The Central Authority uses an ensemble cast of working actors, Tick Tock stars, comics and podcast hosts: LaChelle Allen, Brandy Bryant, April Monique Burrill,  Jimmyo Burrill, Lilly Burrill, Candice Callins, Charles Chudabala, Rodney Damon Collins, Michael Coulombe, Lauren DeLeon, Vanessa Esparanza, Jonathan Freeman-Anderson, Sara Gaston, Katie Gordon, Nate Gordon, Joe Grisaffi, Josh Hutchinson, Betsy Johnson, Allison Michelle, Rory Ogden, Marco Antonio Parra, Anna Elena Pepe, Jake Red, Genoveva Rossi, Nailya Shakirova, Narlyia Sterling, Todd Stroik, and Cristina Vargas. Nasseri said he was “proud to work with such a strong group of diverse actors.” Inclusion has been a recurring theme in Nasseri’s films, with award winning shorts The Carting Call, and Seeking Valentina, already under his belt, Nasseri felt like this was the perfect vehicle for him as a director, editor and actor.

The Central Authority is written by Dana Olita and Kristin West, directed by Armin Nasseri and Kristin West, and produced by Matt Chassin, Armin Nasseri, Dana Olita, Narlyia Sterling, Kristin West and Quarantini Productions.

For more information go to https://www.imdb.com/title/tt12265464/

Visit us on facebook https://www.facebook.com/TheCentralAuthority/

Twitter: https://twitter.com/CentralAuth

Instagram: https://www.instagram.com/the_central_authority/

View the trailer here :https://youtu.be/Jy-PizHOKAQ

https://www.youtube.com/embed/Jy-PizHOKAQ

Contact
Matt Chassin
Matt’s Marketing, PR & Management Services
***@mattsmarketing.com

Photos:
https://www.prlog.org/12840658/1
https://www.prlog.org/12840658/2
https://www.prlog.org/12840658/3
End

The Moving Image

I’m in the midst of editing “The Central Authority“, which is my first feature collaboration with co-director Armin Nasseri and co-producers, Nasseri, Dana Olita and Matt Chassin. Shooting and editing during the pandemic has been challenging, even as we use existing technologies to make a fully-socially distanced feature film.

Yesterday, Armin and I were in the midst of editing a great scene starring horror queen Genoveva Rossi. Genoveva plays an artist of some renown in “The Central Authority”, sort of a female Bob Ross. We allowed the actors a great deal of freedom in this movie and much of the movie is improvised. Genoveva came up with a profound truth about her character and art itself. She said, as her character Gwen Ross, “Art is about getting a reaction out of people, good or bad.” That was just what I needed to hear yesterday.

I have come to the epiphany that a moving image, a movie, must move. It must move us through time and space, but more importantly, it must move us–emotionally, spiritually, philosophically. That, for me, is really what a moving image, a motion picture, is–something that moves us.

Armin and I continue to work on editing the movie, taking each challenge as it comes, editing virtually now. It cannot be glossed over that as we edit this movie, we are also witnessing the massive social movements against police brutality into account. We are moving as a society and as a consciousness.

I’ll continue to update you on The Central Authority as it moves forward. Thank you for your support of our work and we look forward to releasing “The Central Authority” soon.

the central authority wraps principal photography

Using groundbreaking techniques, the first socially distanced feature film was shot entirely during the pandemic

By: Matts Marketing

main poster

HOLLYWOOD, Calif. – May 26, 2020 – PRLog — The Central Authority, the horror-comedy  brainchild of Kristin West and Dana Olita, has been a brave undertaking in these hazardous times. “We knew this was a huge endeavor going in,” said West, who  co-directed with Armin Nasseri. “We were forced to use the technology  available, which meant doing some unusual things.” Those “unusual things” included dusting off some archaic film techniques and using  brand new processes. “We gave ourselves permission to fail,” says West, “but things worked out fine in the end.”

Those processes including having actors from all over the world come together on the screen. Actress Anna Elena Pepe, who plays Dr Zhivaga, a quarantine sex therapist, says it was an experience for her like no other, “I was in London, and my scene partner (Lachelle Allen) was in Los Angeles. ‘It was fantastic.'”

“The actors were the key,” according to Olita, “We basically let them pick and choose characters and wrote around their choices.” West agrees, “We gave our actors a tremendous amount of freedom, there was a lot of improvisation. Everyone gave great performances and the chemistry the actors have with one and other is magical.”

The Central Authority, takes place in a dystopian future, where entertainment is king. There is no content, so the government (“The Central Authority”) creates a streaming channel where “performers” can submit their material, in order to obtain items in short supply.  The film takes place over one day of programming.

In addition to West, Olita and Nasseri, The Central Authority uses an ensemble cast of working actors, Tick Tock stars, comics and podcast hosts: Lachelle Allen, Brandy Bryant, April Monique Burrill,  Jimmyo Burrill, Lily Burrill, Candice Callins, Charles Chudabala, Rodney Damon Collins, Michael Coulombe, Lauren Deleon, Vanessa Esparanza, Jonathan Freeman-Anderson, Sara Gaston, Katie Gordon, Nate Gordon, Joe Grisaffi, Josh Hutchinson, Betsy Johnson, Allison Michelle, Rory Ogden, Marco Antonio Parra, Anna Elena Pepe, Jake Red, Genoveva Rossi, Nailya Sharakova, Narlyia Sterling, Todd Stroik, and Cristina Vargas. Nasseri said he was “proud to work with such a strong group of diverse actors.” Inclusion has been a recurring theme in Nasseri’s films, with award winning shorts The Carting Call, and Seeking Valentina, already under his belt, Nasseri felt like this was the perfect vehicle for him as a director, editor and actor.

The Central Authority is written by Dana Olita and Kristin West, directed by Armin Nasseri and Kristin West, and produced by Matt Chassin, Armin Nasseri, Dana Olita, Narlyia Sterling, Kristin West and Quarantini Productions.

For more information go to https://www.imdb.com/title/tt12265464/

Visit us on facebook https://www.facebook.com/TheCentralAuthority/

Twitter: https://twitter.com/CentralAuth

Instagram: https://www.instagram.com/the_central_authority/

Have you been missing “Horror Talk with Kristin West” ?

Ever want to know what today’s top horror stars do off camera? Want to know the behind-the-scenes scoop on today’s top horror movies? Check out my show with Domain of Horror, “Horror Talk with Kristin West”.   it’s available on Facebook, YouTube and several of your favorite podcast outlets, including Podomatic.  Listen to a preview below or watch here.

Horror Talk with Kristin West

This weekend may be all Easter bunnies and egg hunts, but for those of you wanting a scare, check out Domain of Horror‘s “Horror Talk”, my newest collaboration. filmfest We interview top names in indie horror and TV in Los Angeles.  Recent guests have included Tony Moran, Debra Lamb, Rena Riffel, Sheri Davis, Nikki Guzman and Armin Nasseri.  Subscribe today!  New episodes coming soon, including interviews with Bill Oberst Jr., dubbed the “king of indie horror” and folks from the creative team of the new movie “Corbin Nash

“Horror Talk” videos are hosted on Domain of Horror and YouTube.  Haven’t got time to watch?  Listen wherever you want.  Our episodes are available on Podomatic, iTunes, Google Play, Stitcher and others–with more outlets being added soon.

PS:  Tomorrow we have a special episode featuring Rena Riffel of “Mulholland Drive” and horror chef Nikki Guzman coming out.  Subscribe today & don’t miss out!

Moviemaking is a Messy Business

If you’ve been watching my Instagram lately, you will have noticed someone has a gripe against a guy named Vinnie.  😉

instagram litch

I was back on the set of James Balsalmo’s The Litch this week and I was again impressed by James’s wizardry, this time with masks, snot fabricated from cottage cheese and blood from chocolate syrup and food coloring. It was a messy, fun, albeit, occasionally odorous time. It’s amazing what creativity we have when we use it and James is a truly creative fellow.

Who Wore It Best? The Litch or the Bitch?

The Litch was the first film I’ve ever needed a stunt double.  It’s really funny to see someone in the same outfit as you, playing your role.  I sort of have the Patty Duke Show jingle ringing in my head each time I see a picture of my double, Alan Maxson.

girls' weekend

What I love about my stunt double’s look is the overall doughy look of the molding on his face.  It matches my skin tone well.  And those pouty lips…hilarious.  My lips are ample, but those lips are ghoulishly puffy like the Botox nightmares we sometimes see in La-la-land.  I must admit that Alan is better at wielding that humongous knife than me, but I bet we could go head-to-head in rolling pin assault skills. Be sure to catch The Litch when it comes out later this year.

Behind the Scenes of The Litch

This week, I got to have a fun part in The Litch, directed by James Balsalmo of Acid Bath Productions.  It was a high-spirited, improvisational shoot.  Coming out later this year, the film also stars Tom Sizemore, the legendary  Lloyd Kaufman and fellow scream queen Genoveva Rossi.  James is creative, collaborative and fun and I told our manager Matt Chassin that he was like the “Christopher Guest of horror”.  This is sure to be a fun horror comedy.

kristin meat cleaver

 

Armin Nasseri of Seeking Valentina fame was also on-hand helping with our scene. It was great to have his positive energy there.  I can’t wait to see it debut on the big screen later this year!

litch group shot

 

 

LIKE The Litch on Facebook to get all their updates!

the litch